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ROOK'S MOVE: The Phenomenon of Collage / The Crisis of Abstraction (1999)


Author: JEF7REY HILDNER
Keywords: cubism; painting; art; criticism and interpretation; design; analysis and theory; significant space; geometry and form; Picasso; THE ARCHITECT PAINTER PRESS; JEF7REY HILDNER
Publisher: THE ARCHITECT PAINTER PRESS
Year: 1999
Language: English
Book contributor: JEF7REY HILDNER
Collection: opensource

Description

ESSAY: JEF7REY HILDNER (aka Madison Gray) probes the difference between what he calls LITERAL COLLAGE and PHENOMENAL COLLAGE in a critique of architect Bernard Tschumi's Lerner Hall at Columbia University.

"Rook's Move" defines two basic types of collage that I call "literal collage" and "phenomenal collage."

Literal Collage involves a subjective goal: a creative assemblage of materials or forms.

Phenomenal collage involves an objective goal: a creative assemblage of materials or forms that also expresses visual and conceptual ambiguity of Figure and Field.

In a high-profile project that tries to "blend" new work with existing buildings, which type of collage do the architects of Lerrner Hall use?

JEF7REY HILDNER is an architect, painter, and writer. His work has appeared in many publications, including Global Architecture Houses, Architectural Record, ANY, Oz, ARTnews, and the refereed Journal of Architectural Education. As an educator, he received the national award for teaching excellence from the Association of Collegiate Schools of Architecture. His project Dante|Telescope House won the Blue Ribbon Award for Design Excellence from the New Jersey chapter of The American Institute of Architects. HILDNER earned his A.B. and M.Arch. from Princeton University. He founded The Architect Painter Press in 2005. Contact: press@thearchitectpainter.com.

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Identifier: RooksMove
Mediatype: texts
Licenseurl: http://creativecommons.org/licenses/by-nc-nd/3.0/
Identifier-access: http://www.archive.org/details/RooksMove
Identifier-ark: ark:/13960/t42r4sn33

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